Billboards & OOH · Global · 2016

Spotify: Thanks 2016, It’s Been Weird

Spotify mined anonymised listening behaviour for funny, specific truths and put them on billboards.

By Maer Media editorial teamPublished 4 October 20263 min readSpotify in-houseCampaigns · Market & Growth · Branding

Dataturned into outdoor humour
Aggregateno individual identified
Repeatedin later years
2016Global · Billboards & OOH
Brand
Spotify
Market
Global
Year
2016
Category
Billboards & OOH
Agency or team
Spotify in-house
Channels
Billboards, transit, print

The context

Streaming services looked interchangeable. Spotify wanted to show personality, and prove it understood its listeners better than anyone.

The insight

Anonymised listening behaviour reveals funny, very human truths.

The move

The in-house team wrote headlines from aggregate data, such as the listener who streamed a breakup song dozens of times on Valentine’s Day, and ran them on outdoor sites in several markets during the year-end season.

How it was executed

  1. Mined aggregate data for odd, specific patterns.
  2. Wrote short, witty headlines around them.
  3. Ran them in major cities through the year-end season.

Spotify mined anonymised listening behaviour for funny, specific truths and put them on billboards.

What happened Reported facts

The campaign became a template for data-driven outdoor advertising and the outdoor counterpart to Wrapped. It was widely covered by the trade press and repeated in later years.

Why it worked Maer’s analysis

Specific behaviour felt personal without identifying anyone, and humour made a tech company feel human.

What to take from it Maer’s analysis

  1. 01Specific beats clever: real behaviour makes the joke land.
  2. 02Use data with care: aggregate and anonymise it.
  3. 03Outdoor can be personal when the insight is.
If you’re building in India

Brands with large datasets can turn aggregate behaviour into outdoor humour, with strict anonymisation and care under India’s DPDP Act.

Where Maer applies this

The same thinking runs through these brand templates:

Sources: Spotify (2016); Adweek coverage. Figures are as publicly reported; Maer Media was not involved in this work and is not affiliated with Spotify.

About the author

The Maer Media editorial team studies how brands are built, from positioning and packaging to launches and growth. Figures in each case study come from the public sources listed above; the analysis and the India notes are our own. More about Maer

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